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Buy valtrex without prescription, A service of thanksgiving for the life of the late Neil Richardson will be held at the Parish Church of St John at Hampstead, Church Row, London NW3 6UU on Saturday 15th of January 2011 at 2.30pm. Light refreshments will be provided afterwards. Valtrex online review, RSVP to Neil Grant-Richardson on 01243 574591 or neil.grantrichardson@btinternet.com.
We were very sad to learn that Neil Richardson died in Spain on Friday, 8 October 2010. Neil was one of the country's finest composers and arrangers and one of our friends. He leaves the greatest possible legacy of wonderful music and will be missd by so many of us. Neil's music will never be forgotten and we at Radiocafe listen to some of Neil's unique work every day. Our profile of Neil can be found below. We send our condolences to his friends and family, order valtrex from canada, whom we know are so very proud of Neil.
Radiocafe profile of Neil Richardson
Neil Richardson is the man behind some of the most evocative arrangements and compositions of all time. Neil ranks up there with the best arrangers this country has ever produced. He created much of the BBC Radio Orchestra's output during the 70s and 80s, Valtrex price, and has worked with many of the leading orchestras in the world, including the Royal Philharmonic Orchestra.
If you listened to any decent radio during the 60s, 70s and 80s, free valtrex, you will have undoubtedly heard plenty of Neil's work, Order valtrex in canada, even though you may not have known he was the master behind the craft. Even if you never listened to the BBC Light Programme or Radio 2, you will have still have heard Neil Richardson - he is the man who created the Mastermind theme tune, "Approaching Menace". He was also musical conductor for "Four Weddings And A Funeral", valtrex prices.
Theme tunes and compositions aside, Cheap valtrex without prescription, it is worth taking a close look at his work with the BBC Radio Orchestra. Along with other great arrangers during this period, such as John Fox and David Snell, Neil helped to create a unique sound and took full advantage of the wealth of talent available to him during his BBC years. Quite simply, valtrex online without a prescription, the arrangements he produced for the BBC are like no other. The sensitivity and feeling he puts into a piece of music ensures listeners are enchanted and moved by his work. Whether it be a classical piece or his own take on a more recent song, Valtrex tablet, Neil always manages to achieve perfection. We say this without any need for qualification.
In the late 80s, Neil got together with his old friend Mike Redway to produce the BBC Radio 2 show, "Those Beautiful Ballad Years", the songs from which Mike's own label, Redrock Records, later released on CD. This was a truly magical combination. One of the finest voices of the glory days of radio, together with its most talented arranger. The result was a unique set of sensitive love songs and lovely old ballads - a recording that its owners treasure, buy valtrex without prescription.
The real tragedy is that much of Neil's work is owned and controlled by music librarys, including the BBC. The BBC must possess thousands of recordings of its Radio Orchestra, valtrex in uk, many of which feature Neil Richardson. During the 70s, Buy valtrex internet, he was a central part of so many shows: String Sound, a half hour show devoted to the BBC Radio Strings; the Radio Orchestra show, a weekly fest of good music, valtrex professional, presented by Steve Race; and numerous gala concerts and other wonderful broadcasts. It is about time, Valtrex without a prescription, surely, that these were repeated so that lovers of Neil's music, together with a whole new audience, lowest price valtrex, can delight in the incredible arrangements. Find valtrex online, We at Radiocafe are lucky to have a large collection of these recordings. Unfortunately, copyright laws prevent us with sharing these with the world. However, lowest price for valtrex, his arrangements on Mike Redway's "Beautiful Ballad Years" CD are still available to purchase, Discount valtrex, and you can take a listen to these on Mike's page on Radiocafe here. A few of Neil's arrangements are also available on some commercial recordings, a small selection which we have located and made available from this page. Take a listen to his arrangements of some of the popular songs from the sixties and seventies, cost of valtrex, and hear for yourself just how clever, Order valtrex on internet, and sensitive, his arrangements are. These clips really do not do the great man justice, but do provide a taster of the skill and wizardry of Neil Richardson, valtrex in bangkok. Buy valtrex without prescription, Neil recently moved from his Sussex home to Spain, and we are sorry to see a genius such as him leave our shores. But regardless of where Neil resides, his music occupies a place in the hearts and souls of all those who have had the privilege and pleasure of hearing his music.
Career profile
Neil Richardson is one of the country’s greatest composers and arrangers. Buying valtrex, For the past 30-40 years, he has continued to work tirelessly producing compositions and arrangements for radio, TV and film, valtrex online without prescription. He is probably most famous for composing the enigmatic theme tune to the BBC show “Mastermind” (an original item which is entitled “Approaching Menace”). Drug valtrex, But there is so much more to Neil’s contribution to the music heritage that warrants recognition. Robert Farnon, regarded as the greatest producer of light music of all time, is quoted as describing Neil as “the finest writer for strings in Europe”, buy valtrex without prescription. He is applauded by audiences and fellow musicians alike.
Early Days
Neil's musical career started at the tender age of eight when he was accepted as a chorister at the choir school in Westminster Abbey. Later on at Lancing College in Sussex where he was a musical scholar he was fortunate enough to become associated with Benjamin Britten and Peter Peers who paid regular visits to the school and encouraged him to engage in a career in music. He continued his musical studies at the Royal College of Music studying clarinet, where to order valtrex, piano and composition (with professor Lloyd-Webber). During his National Service, Valtrex cheap drug, he was solo clarinet with the band of the Royal Air Force at Cranwell.
Music Maestro
Neil has been composing and arranging for fifty years, and much of this time has been spent working for the BBC, buy valtrex online cheap. He started writing and conducting for the BBC Radio and Concert orchestras in London and also for many of the BBC’s regional orchestras. Buy valtrex without prescription, He was also invited by the BBC to found the new BBC Northern Radio Orchestra and was its conductor for many years. Certified valtrex, Neil has composed and arranged for just about every style of music, from jazz trio to symphony orchestra. He has worked with numerous leading musicians, valtrex sale, including the following:
• Johnny Mathis
• Neil Diamond
• Vic Damone
• George Shearing
As far back as 1959, Valtrex cheapest price, university concert bands in America were playing his music. In the sixties and seventies, his work was presented to American audiences by the Longines Symphonette Society and Readers Digest, cheapest valtrex prices.
In the 1960s he often composed under the pseudonym "Oscar Brandenburg".
Vocal harmony
He has had much success writing for choirs and the world’s leading vocal groups, buy valtrex without prescription. Cheap valtrex from uk, These include:
• The Baylor University Choir
• The King Singers
• The Swingle Singers (for whom he wrote masses of material and the arrangements for their American tour in 1979)
• His own group, the Neil Richardson singers, who have produced a large amount of material for American radio networks, valtrex no prescription.
International orchestral work
In the 1980s, Cheap generic valtrex, he worked as conductor for the Baltimore Symphony Orchestra performing in three concerts and presenting a programme of English music ranging from Vaughan-Williams, Gilbert and Sullivan through Noel Coward to the Beatles. As well as conducting, order valtrex online, he played solo piano and saxophone. Buy valtrex no prescription required, Three concerts were repeated very successfully in London Ontario, Hamilton, Calgary and Edmonton, generic valtrex online,
He has conducted many further concerts in Canada and the USA, Valtrex no online prescription, and has conducted many orchestras in Europe, including:
• Belgian State Radio Orchestra
• Metropole Orchestra in Holland
• Bavarian State Radio Orchestra
• RTE Concert Orchestra in Dublin
British orchestral work
His work with British orchestras includes arranging and conducting for all the leading orchestras, including:
• Royal Philharmonic Pops
• Philharmonia Orchestra
• Bournemouth Symphony
• BBC Concert Orchestra
• BBC Radio Orchestra
• London Symphony Orchestra
• National Philharmonic
Neil was twice invited by Lord Mountbatten to conduct charity gala concerts and was musical director of Lord Olivier’s 80th birthday concert at the National Theatre, buy valtrex without prescription. Buy valtrex without prescription, He arranged a series of popular songs by Gershwin, Cole Porter, Jerome Kern etc. for opera star Maria Ewing with Richard Rodney Bennett and the BBC Concert Orchestra which formed the second half of a Promenade Concert. Valtrex pharmacy online, This was later recorded with the same artists and the Royal Philharmonic and presented at the Royal Festival Hall.
In 1992, he prepared all the music for Robert Palmers concerts at the Royal Albert Hall, canada valtrex.
He also wrote many of the arrangements for the 40th anniversary of the Queen’s accession to the throne at Earl’s Court.
British radio work
For many years, Neil’s compositions and arrangements comprised the key component of the BBC’s light orchestral shows, including String Sound, The BBC Radio Orchestra show and numerous radio concerts and specials, buy valtrex without prescription. A very brief example of some of Neil’s unique work and further details of his radio career can be heard/read at http://www.radiocafe.co.uk/neil-richardson.htm.
TV & film
In 1980, Neil was the musical director for Britain’s first ever Telethon. He has musical director for numerous other prestigious television events, including the Circus World Championship.
He has written numerous documentary and film scores, incidental music for TV and films, and most notably the theme tune to Mastermind. Buy valtrex without prescription, He worked with Richard Rodney Bennett on many projects including the musical score for the TV min-series Poor Little Rich Girl. He was music director for the BBC film Virtuoso about the life of pianist John Ogden. He wrote some of the music for and conducted Richard Rodney Bennett’s music for the award winning film Enchanted April. He worked again with Richard Rodney Bennett in the film Swan.
He wrote some of the music for and conducted the score on the film Four Weddings and a Funeral.
He has written the music for and appeared in many of the episodes of the TV series Poirot, buy valtrex without prescription.
He co-composed the famous test card piece "Scotch Broth". Another of his library music compositions, The Riviera Affair (aka Prestige Production, from the 1970 KPM album Impact and Action, Vol. II), is best known to New Yorkers as the opening theme music for WOR-TV's late-afternoon movie program, The 4 O'Clock Movie, in the late 1970s and early 1980s. The song was also used as part of an homage of the The 4 O'Clock Movie in the opening logo sequence for the 2007 heist film, Ocean's Thirteen.
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October 2nd, 2009 at 7:34 pm
Hi!
I’m a student currently living in Finland, but actually coming from Germany. I’m a great fan of 1960s and 1970s easy listening and lounge music and I first came upon Neil Richardson listening through a compilation CD. On that compilation (“The Sound Gallery”) was “The Riviera Affair”, and I was instantly captivated. I would readily highlight it as one of the finest pieces of easy listening music I know. For the last two years now, I’ve been studying and unearthing high-quality but often rare music from the 1960s and 1970s. I was also looking for a certain kind of music, and learned quite recently and only after extensive research that the sound I was looking for is somewhat hidden and inaccessible because it’s a type of easy listening from music libraries. It would be great for me to cherish this great music with others too, since I’ve been concerned with it exclusively on my own up to now.
Greetings,
Niklas
April 18th, 2010 at 8:53 pm
What an amazing talent Neil Richardson is; I have always been truly fond of his outstanding musicianship. I cherish the all too few recordings I have of his! I miss those long, long far off days when his music on Radio 2 was, for me, the best of all the output of the station (unlike today!). I do hope he is in the very, very best of health in Spain! I have been trying for a long time over the years to get more of his recordings for KPM but to no avail. The Metropole Orchestra disc with the Neil Richardson Singers is really first class , but I wish some CD company would really do him the justice he deserves by releasing a disc of his original compositions. I once corresponded with him when he lived in Rickmonsworth and found him a very kind and pleasent man. The sound he got from the orchestra was very satisfying to listen to and his music, for me, tops that of Robert Farnon (even though I am a member of his fan club). I send him all my very, very best wishes and I wish the BBC would repeat some of his recordings on radio if only to be able to record more of his precious works! With kind regards to Neil Richardson! From a big admirer, Roy Calvert!
April 19th, 2010 at 4:55 pm
Hi again!
Pls could you fwd my email address to Neil, as I’d like to re-establish contact because I do occasionally get old friends of him contacting me looking for him! I can then fwd them to him
Many thanks and thanks for a great website!
Neal R
April 30th, 2010 at 12:04 pm
Got volume 18 for sale from Longines Symph. Society (Brass & Choraliers) 3LP Box, comlete, good shape If you’re interested , let me know
gr
JUK
mail: j[dot]uk[at]live[dot]nl
August 24th, 2010 at 2:59 pm
I just wanted to say I have read all the comments here, and as Neil is actually my Grandad, it was reallly great to read all these lovely comments about him. I’m sorry to say I have by no means heard all of his music (in fact, I’ve probably unfortunately only heard one or two pieces), but I have heard ‘Approaching Menace’ on Mastermind and I really like it!
Thank you for all the comments, they really do mean a lot to me!
With love,
Eleanor x
October 9th, 2010 at 12:19 pm
Just heard the news delivered by Dave Jamieson on Coastline FM in Spain, that Neil died on Friday, sadly missed and we send our condolences to Neil’s family. The funeral will be held on Monday at Almuñecar cemetery.
No longer will we be pleasured with Neil tinkling the ivories on a Sunday at the Boatyard Bar at El Playazo beach, Nerja.
Dave Jamieson knew Neil and his wife well and his upset was obvious while he was announcing the death of his friend who will be missed by many of us here on the Costa del Sol.
October 11th, 2010 at 9:40 am
Thanks for your message, Bernard. We were very upset to learn of Neil’s passing yesterday. We send our condolences to Neil’s family.
I feel very lucky to have known Neil and to have access to much of his work. Only last week I was listening to some CDs he kindly recorded for me and thinking to myself that there is nothing out there that matches them.
I know that his memory will live on for many years through his legacy of the finest compositions and arrangements I have ever heard.
Paul
October 14th, 2010 at 7:25 pm
On behalf of Dad’s family, I should very much like to thank all those who have posted such lovely comments comments here, and also extend thanks to those who were able to attend his funeral on Monday. In due course there will be a memorial service in the UK, and I will ensure that details are posted here in a timely way.
We are all extremely proud of Dad and his achievements, and I know it gave him great pleasure to realise the extent of the affection and regard his fellow professionals had for him.
He leaves an enormous hole in our lives, and we will all miss him enormously. I look forward to meeting some of you in due course.
October 27th, 2010 at 11:26 pm
I was extremely sad to read in the Telegraph of the death of Neil Richardson he was a great music Hero of mine over many years, He was without doubt one of the finest arrangers of his generation an absolute master of harmony and counterpoint, I always thought his writing for strings was of exceptional sensitivity and skill right up there with Robert Farnon and Angela Morley in my book.
I am lucky to have a couple of recordings Of the BBC Radio2’ s “String Sound”, recordings of all his collaborations with Richard Rodney Bennett, John Wilson’s first CD which recreated nine of Neil’s magnificent arrangements, and the Ruby Braff album, what a gem that is. One of the problems with hearing Neil’s music was that much of it was in the form of Radio broadcasts with not too many commercial recordings being available. One broadcast that did make it’s way onto CD was “Those Beautiful Ballad Years” were he arranged for a small orchestra much loved songs from the Stephen Foster era and turned them, along with the pure vocal tones of Mike Redway into something fresh and quite magical, as if hearing them for the first, It also demonstrates what a genius he was. I was excited recently to find for the first time 5CD’s of” The Neil Richardson Orchestra and Singers” is now available as a download and they are simply beautiful.
thank you Neil for all the wonderful music you made, which sadly now has disappeared from the airwaves.
November 13th, 2010 at 6:50 pm
I have just learned the sad news of Neil Richardson’s passing, and it prompted me to write. My best recollections of Neil are with the Northern Radio Orchestra in the 1970s. At that time, I was an avid listener to all the BBC house orchestras, but especially the Radio Orchestra and the NRO, although I also well recall the Scottish Radio Orchestra (mainly conducted by Brian Fahey) and the Midland Radio Orchestra (Norrie Paramor). Along with Neil’s NRO (which unusually had french horns in the all-brass and woodwind line-up), I was hooked on the string section of the RO and the Radio Big Band. Of course, the Radio Big Band has continued in its own right, but at that time it and the strings were sections of the RO and had their own Saturday Night show whose theme was written by Neil Richardson. My favourite arranger conductors were Angela Morley, who was with the string section in the mid 1970s, and Alyn Ainsworth, who predominantly was arranger-conductor of the RBB (and did a lot of Deodato-sound-a-like arrangements).
Regretably, Angela Morley passed away last year, too, but the John Wilson CD of a number of her arrangements on the Vocalian label (Soft Lights Sweet Music) recorded with her in about 2001 is essential and beautiful listening.
Alyn Ainsworth unfortunately left us many years ago but there is a lovely clip of him conducting the Northern Dance Orchestra in about 1959 at the same Playhouse Theatre studios in Manchester that subsequently housed the NRO in Neil’s time. That building, now sadly all-but disused, still sits surrounded by houses in the middle of Hulme in Manchester.
In the 1970s I and my friend were very fortunate to be allowed by the producer of the Saturday Night with the Radio Orchestra show to visit the Maida Vale studios on several occasions where the sessions for the show were recorded, and watch sessions being recorded by both the strings section (studio 6) and the RBB (studio 3). Consequently I met both Angela Morley and Alyn Ainsworth on a number of occasions and other conductor-arrangers, too, including Alan Moorhouse, but not, regretably, Neil Richardson.
I have a very large collection of reel-to-reel recordings of music from those Saturday night shows and many other shows besides featuring the Radio Orchestra (strings and Big Band) and the NRO with Neil, all taped from the radio on FM. I also have recordings of the SRO and other sections of the radio orchestra that were used (for example, Alan Moorhouse used to conduct a mixed strings, brass and woodwind section of the radio orchestra for the Charlie Chester show).
After over 30 years untouched I recently found a company to repair my old reel-to-reel tape recorder which I used at the time and, on playing some of the tapes for the first time in all those years, was delighted to find that they sounded as good as they did then, and I am sure that they could be remastered, although that is beyond my resources.
I have not yet listened to all the tapes but those that I have heard so far simply demonstrate the ability of those arrangers and session musicians, many of whom I had the great good fortune to meet. I can recall the names of many of those musicians and some can be found still playing in bands up and down the country.
I thought it was about time that I shared these memories, albeit it is a little self-indulgent, and I only regret it comes with the passing of yet another of those people who have given me such pleasure and who, other than to those of us who care passionately about these things, is like many arranger-conductors largely unsung.