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Posted by langers on 13 Mar 2010 at 10:48 am |
Category: 1. General Music
Buy levitra jelly without prescription, Do you remember when albums contained the deadly skull and crossbones warning symbol "home taping is killing music"? This was one of the biggest myths of the day, as it was home taping that actually kept a lot of the music alive at all. Levitra jelly uk, Here's how home taping would ordinarily work. You would buy a pack of TDK D90 cassettes from Woolies, load one up into your Amstrad twin cassette tower system, cheap generic levitra jelly, Order levitra jelly from us, and tape your favourite show off of Radio 1 (or in my case, also Radio 2). You would listen to the recording you made on your Sony Walkman and identify the tunes you needed to go out and buy. You would then head off to Our Price and purchase the album, buy cheapest levitra jelly online. Levitra jelly information, You might copy the album using your dad's better quality separates system (with belt drive automatic turntable) and give the cassette of the album to your mate. Your mate would then listen to the tape you did him on his Panasonic Way, and love the new music that you provided to him so much that he would go out and buy the 12 inch of the lead track, levitra jelly no online prescription, Find levitra jelly no prescription required, and probably the album too. He'd then do you a tape of one of his records and you'd then need to go down to Our Price to get hold of some 12 inches and singles and albums of your own. And so it goes on.
Taping off the radio was something that most of us who grew up in the 70s and 80s did. I probably now have a thousand tapes from Radios 1 & 2, cheap levitra jelly on internet, Buy levitra jelly in canada, pirate radio and local radio and am still trying to hunt down many of the tracks featured on the shows I recorded. I am very sad that the compact cassette has now come to the end of its life span - you won't find a new, decent single cassette deck these days anywhere, levitra jelly overnight delivery, Levitra jelly pharmacy, nor for that matter a Woolworths in which to buy one.
Most people will not lament the passing of the tape deck, but apart from the brilliant minidisc, order cheap levitra jelly online, Order levitra jelly no prescription, nothing has since come along to replace the lowly cassette. Who records off the radio nowadays? And even if you plug a wire into your PC, how do you get your recording from your computer to your car in less than around five separate stages? The cassette will be in your Blaupunkt long before you have saved and edited your MP3 file onto iTunes and your iPod and then plugged this in awkwardly to the ugly slot on the front of your Clio's fascia, approved levitra jelly pharmacy. Where to order levitra jelly, And let's put another myth to rest: "cassettes were terrible quality". Yes they were, if you bought a Kisho player from Argos and used the ferric tapes you bought up the market. But take a classic tape deck like the Yamaha KX580 Special Edition ("Special Edition" meaning it was tuned especially for the British), buy levitra jelly online australia, Buy levitra jelly from canada, use a decent TDK SA cassette, record your best Steely Dan LP from your Rega turntable, levitra jelly overnight shipping, Order levitra jelly no rx, and you would be hard pushed to tell any difference in sound quality from a CD. Pure analogue heaven. Compare this to the best quality MP3 and when played through decent gear the "lowly" cassette will win the sonic battle hands down.
The iPod has its place, and does many things brilliantly. It is convenient, amazingly well designed, has supermodel looks, and holds a British Library quantity of tracks. But be honest, it doesn't do some things all that well. It looks silly when it is plugged in to one of those plastic speaker docks. Podcasts are great, but will you really be playing your favourite podcasts in the car in 10 years or giving these to your mates to have a listen? And who decides which podcasts you can get, you and the timer-record setting on your Pioneer Midi System, or the broadcaster? And do you really want to have to plug your music into your car's stereo with a wire every time you want to listen to your favourite collection of tunes? Plus, no-one ever had trouble moving their entire cassette collection to their new Walkman, buy levitra jelly without prescription.
Yes, fda approved levitra jelly, Levitra jelly online pharmacy, cassettes wore out, snapped, order discount levitra jelly online, Levitra jelly professional, the cases smashed violently when you dropped them, and those TDK engineers must have been football referees as for some strange reason the cassette world existed in two halves of 45 minutes. But these failings aside, buy levitra jelly internet, Cheap levitra jelly pill, the little cassette is a wonderful thing that deserves more credit for what it actually did for the music industry.
Home taping was never killing the music industry, cost of levitra jelly, Cheap levitra jelly in usa, it was helping to keep it alive. The real irony here is that it is the music industry that has in fact killed home taping. And it is the iPod that has in fact killed music. Between the old, sale levitra jelly, Price of levitra jelly, illegal version of Napster and other such file swapping sites, and Skydrive these days, levitra jelly without a prescription, Buy levitra jelly pills, so many of the iPod generation have acquired what seems to be just about every track in the world - for free.
So where are the stickers on our CDs these days proclaiming "home MP3ing has killed music".
Langers @ Radiocafe
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June 9th, 2010 at 12:27 am
The minidisc should have been the future. Apart from being sonically superior to mp3, it was so convenient and more robust than the compact cassette. I can’t grab an mp3 from my ipod at will and pass it to a friend. I have to go home and burn it to disc or attach it to an email. The only reason why we are now using a less portable, sonically inferior and aesthetically devoid medium is that it costs the music industry far less to produce and they’ve managed to convince us that it’s for our benefit. Well it’s a good job more people are increasing vinyl production because I will buy vinyl before CD if it’s available.
July 18th, 2010 at 12:08 pm
I treasure my tapes of Alan Dell’s Dance Band Days and the Dance Band shows from BBC Radio Essex.
July 20th, 2010 at 4:34 pm
I was a big fan and user of the minidisc and was the first DJ to perform entire live sets in clubs using it (A Denon DN-M2300R). However, one big drawback is that eventually – and I am talking months of fairly heavy use, not years, the lazer mechanisms wear out and are very expensive to replace, assuming you can get the parts. They also have to be repaired by a technician in a service department. I no longer use Minidisc and have returned to CD(R)’s for my live DJ sets and use a PC with a 1 Tetrabyte hard drive for studio / radio work and storing all my music. Of course any drive will eventually wear out, but at £70 for a 1T drive that can be replaced in seconds it is in the long run, a much cheaper and more serviceable option. The future is solid state memory I believe. in theory, it should never fail.
August 15th, 2010 at 8:12 pm
yeah i loved minidisc on it’s initial lauch! went out & bought a sony md recorder for my separates sytem – the unfortunate thing was that cdr recorders were also launched very soon afterwards & my interest was always to be able to edit tracks to my liking & make a cd…..this was finally becoming a reality & although it took a while to learn how to do it, it was so worth it……the minidisc recorder never stood a chance after that! had there still been no internet then i’d have minidisc in the car & home as prime sources of music! still find it shocking & sad how quickly almost all of the hifi separates systems largely became unwanted as mp3 became king! forget all those awful 128kbps early encodings, now it’s easy to make very very good 256kbps mp3′s encoded from cd’s or file shared flac’s – for those that want the best just keep the flac files!! i struggle to hear the difference though & i’m talking about albums i’ve known intimately for many years now listened to through a mighty logitech Z2300 2.1 speaker system fed by a state of the art quad core pc! albums like al stewarts “year of the cat” for example – yes it sounds better than ever! i’ll always mourn the passing of cassette tapes but i love the digital age too & as mentioned in an earlier post having all my music from over the years now all in one place with instant access – i couldn’t even consider going back to analogue – even old analog recordings i made long ago sound better than ever on here!!
August 16th, 2010 at 8:39 am
Well said, chaps.
I, too, am digitising my collection, although I’m using ATRAC 256, the betamax of digital recording. The sound quality is amazing on a first generation Sony MP3 – a player which did not even play MP3s and which is, in my opnion, the best music player ever made. Why? Here are a few reasons:
- The Sony NW-HD1 connects to the hifi by a dedicated line-out setting (not the earphone setting) and quality is much improved, and sounds much louder.
- I have hooked it up in the car to an old Sony head unit bought for £5 off eBay and I can select all albums and tracks direct from the head unit. No silly FM transmitters required. Sound quality is perfect. It will also display track and album info.
- The unit it is made out of solid magnesium, never again seen on a player as it is too costly to manufacture. Sony subsequently made their players out of cheaper materails such as aluminium.
- Over 20 hours battery life. Battery is easy enough to replace, but after 5 years usage the original is still going strong.
- 20gb hard drive, ATRAC compression using lower memory it is the equivalent of 40gb using MP3.
- Came with its own docking station.
- It has a full readout remote control but you don’t need it as all the controls are in the right place so you can operate through your trousers when in your pocket, and all with one hand.
- It is smaller than a credit card and the lightest unit of this size.
- Has a good graphic equaliser for removing hiss from the transferred cassettes, if needed.
- It just focuses on playing music, with no distracing applications. “Apps”, in my opinion, are like putting cushions on the recaro seats of your BMW – unnecessary.
So good the Sony is, that I have bought 12 of these units, mostly for £30 or less, off eBay! These suit me, as I have no interest in downloading music but for those who do, the unit’s firmware was upgraded to allow MP3s to be played.
But even these do not allow me the flexibility to record a show in the kitchen and then play it in the bedroom, quite as the cassette did. I’m slowly transferring all my cassettes onto the Sony units, but I suspect people these days just don’t record off the radio any more, even though in theory it should be a doddle. Or perhaps (Solar Radio and Jazz FM aside) there is just little worth recording these days?