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Posted by langers on 09 Dec 2010 at 1:59 pm |
Category: 1. General Music, 4. Soul Sounds

Buy armour without prescription, If you reviewed the radio listings of the Radio Times for the first week of May back in 1986, the options for those who prefer their music on the soulful or funky side would have been as follows: Sunday at 9pm, Robbie Vincent (having moved on from BBC Radio London) with a 2 hour slot on Radio 1; Jeff Young (replacing Robbie on London), with a lunchtime Saturday show; and... that was it. Commercial radio didn't fare much better either: Greg Edwards soldiered on with his Soul Spectrum on Capital Radio; and, Armour online stores, as there weren't any other commercial music stations, the search for good music started and ended here. But at the very same time something little short of a musical revelation was happening.

While London radio schedules offered up portions of funk and soul fit for a musical anorexic, armour cheap, a Family Feast of re-releases, Big Mac portion of soulful grooves and exciting new menu of house music were all being devoured by a starving-hungry Joe Public. Following huge demand, all the classic Roy Ayers albums were being rush re-released; scarce vinyl from the likes of The Bar-Kays and Leroy Hutson was changing hands for over fifty quid a go; Jack Trax released album after album of the latest house and acid tracks; and there was a plethora of "new", young soul artists such as Miles Jay, Surface and Juicy, buy armour without prescription. Canadian pharmacy armour, But with little-to-no airplay by the mainstream radio schedulers, how could this be. The answer: "street-radio".

Radio for the people, purchase armour no rx, served by the people.

London radio schedules offered up portions of funk and soul fit for a musical anorexic

STREET-RADIO

"

Street-radio". Buy armour without prescription, Don't we just mean "pirate radio". Tablet armour, The name "pirate radio", so fitting for the pop music Captain Birdseyes of the 1960s out at sea, didn't really reflect what was going on deep in the inner city without the safety buffer of a perilous ocean between the jocks and the authorities. What was happening in London was happening down on the streets, armour medication, in the heart of the Capital, and its effect was nothing short of radical. Buy armour once daily, In an era where "StreetSound" had a distinct meaning (so much so that it should have a place in the dictionary), street-radio sent a ripple through London that, for a short while, turned into a tidal wave of great music, buy armour pills. It was a simple formula: music for the people, served by the people.

Today's street-radio owes much to its 1980s cousin, buy armour without prescription. Buy cheap armour online, In fact, listen to the sound clip here, and you'll be treated to a young up-and-coming star of street-radio in the days before his dj voice broke and he became one of today's true pioneers of the good music cause. Remember, armour australia, these were the days before mobile phones and the internet; how many street-radio stations would dare to take calls live-to-air these days.

Many of yesteryear's street-radio stars have gone on to celebrated careers in the music industry: Ron Tom, Armour online cheap, the main man behind the almighty and wonderful LWR (more on LWR to follow in future editions), the station which along with Kiss 94fm led the street-radio way in the 80s, has become one of the leading record producers in the business (he's the man behind Don E, Sean Escoffrey and Omar, where to buy armour, and he came up with the name "Sugar Babes"); Trevor Nelson needs little introduction, being one of the many success stories out of the huge Kiss 94fm pool of talent; Steve Edwards promoted the good jazz philosophy on LWR for years, Buy armour from us, then rapidly worked his way up the local radio ranks before ultimately presenting a soul show on BBC Radio 1; Ralph Tee (Solar Radio), virtually single-handedly pioneered the genre of New Classic Soul and now runs the incredible Expansions Records, responsible for the re-release of classic and new recordings from the likes of Leroy Burgess and Don Blackman. But arguably the man who stayed most true to his street-radio roots is Norman Jay - or rather, armour buy, Norman Jay MBE - who is still pursuing the good music cause in earnest to this day (albeit courtesy of the BBC).

DOUBLE STANDARD Buy armour without prescription, But here's the irony, or even hypocrisy. The very man who achieved so much for good music, Armour free delivery, uncovering hidden musical treasures and promoting new gems to the masses did so predominantly through the medium of street-radio. The Government clearly agreed - after all, it recognised Norman's supreme efforts by proclaiming him Member of the British Empire. Yet this is the same Government which (via the BBC) provides us with a dedicated house music station which plays virtually no house (1xtra); offers those who wish to selflessly follow the lead of Mr Jay with the prospect of heavy fines, cheapest generic armour, or worse; and helps to perpetuate a system which provides nothing other than randomly PC-selected Atomic Kitten followed by G4 followed by Abba, intermingled with annoying competitions sponsored by the Wild Bean Cafe, Buy armour in canada, interspersed with travel reports for streets you'll never travel, all served up by a couple of loud mouthed teenagers with great hair and teeth but who wouldn't know Roy Ayers from Pam Ayres. Were it not for the likes of Ron Tom, Norman Jay and Trevor C, low price armour, the music we listen to today would undoubtedly be very different. Tracks such as Cool and the Gang's "Summer Madness", Aretha Franklin's "Jump to it", Donald Byrd's "Think Twice" and Roy Ayers' "Everybody Loves the Sunshine" gained unprecedented exposure on street-radio, buy armour without prescription. Don't know these tracks. Buy armour canada, Think again, as these have formed the underpinnings of numerous house and hip-hop tracks during the last decade, and many have been reworked by talented production companies such as Z Records and Candy Apple Productions.

Street-radio sent a ripple through London that turned into a tidal wave of great music

THE ROOTS OF STREET-RADIO

By 1986 street-radio had matured and covered a whole spectrum of musical styles, armour without prescription. The main players on the FM dial tended to opt for a popular blend of soul, funk and reggae; but the electro sound which had morphed into acid house was also gaining airplay and by 1986 was featured extensively by such stations. Buy armour without prescription, Intermingled between the sounds of Glenn Jones, David Bendeth and Gwen McRae could be found Farley Jackmaster Funk, Scott Le Rock and Marshall Jefferson; but the mix simply represented what London wanted: real music. Get armour, This was the music we wanted to listen to in our clubs, in our bedrooms, in our Escort XR3i's. Whereas, armour cheap price, if we check the Radio Times again, the BBC wanted us to listen to Gary Davies, Armour tablets, followed by Steve Wright followed by Bruno Brooks, with a blend of Rick Astley, Bros, The Housemartins and Communards, cheapest generic armour online. It seemed the BBC censors would analyse a song to see if it contained any bass and if so, deem it unfit for public consumption. Discount armour without prescription, TOP OF THE POPS - MAY '86
1. Living Doll - Cliff Richard
2, buy armour without prescription. Different Corner George Michael
3. Rock Me Amadeus - Falco
4. Touch Me - Samantha Fox
5, find armour online. A Kind of Magic - Queen

STREET TRACKS - MAY '86
1. Buy armour without prescription, Luther Vandross - See Me
2. Miles Jay - Let's Start Over
3. Buy armour no rx, Heart's Desire - Don Blackman
4. Jim Silk - Jack Your Body
5. Bar-Kays - Open Up Your Heart

And so Londoners in the late 80s were spoiled for choice: beyond LWR and Kiss was a multitude of stations playing the sort of grooves the street wanted to hear: TKO, City Radio, cheap armour in usa, Solar Radio, Studio FM, Order armour no prescription, Laser 88.4fm, WLIB and Horizon all offered a breath of fresh air to a London which was choking on a force-fed diet of Sam Fox, Su Pollard and Shakin' Stevens.

BBC censors would analyse a song to see if it contained any bass and if so, deem it unfit

HAS ANYTHING CHANGED?

Twenty years later, and the digital age is with us, the rigid non-commercial structures have been de-regulated and London has the radio it always wanted, buy armour without prescription. Does it, cost armour. If it does, then there is surely no place for street-radio. Armour alternative, Quite the contrary, London needs street-radio now like Spurs need a decent manager - stations such as Unkown FM, Passion FM and Push FM serve to selflessly provide London with the music Londoners actually want to listen to. Yet those who seek to do nothing more than fill a gaping radio hole face the wrath of the authorities; while overpaid, free armour, musically retarded dick-jokeys fill our airwaves with low grade dross and idiotic drivel. Buy armour without prescription, Twist the dial on your Pure Evoke-1 and surf through the long league of "new stations": Arrow (rock/pop); Century (rock/pop); Chill (pop/chillout); Core (pop); Gaydar (gay/pop); Heat (pop); Kerrang (rock); Jackie (pop); Smash Hits (pop)... notice any trend here. Buy armour generic, Before listing the thirty or so other rock and pop stations, let's take a listen to the funk and house stations: must be one there somewhere, but I can't find it. What about the jazz station, armour no rx. Isn't there a station called Jazz FM there somewhere. Hrmm.., buy armour without prescription. Or - let's be generous to other tastes - how about a country and western station. Buy armour no prescription required, Nope. Big band and forties music. Erm... Buy armour without prescription, Gospel. Ah.., armour us. Sixties soul. Er... Armour approved, In 1986, it seemed everyone was going crazy over the 1982 Don Blackman self-entitled classic, so much so that as a result of street-radio exposure four of its tracks were re-released on limited edition 12 inch ep. Twenty years later, the chances of hearing a track from this album - or anything like it - on mainstream radio are about as high as seeing Lord Lucan gallop home on Shergar to win the Grand National, buy armour without prescription. It's no surprise that Don himself is so frustrated by the current music industry that he's talking of quitting (click here for Radiocafé's interview with Don), cheap armour from usa.

The point is a sharp but simple one: mainstream radio falls way short of the mark. In an era when every music taste should have a slice of the airwave cake, Armour in malaysia, an influential minority seems to have all the radio gateaux for itself, and it sure ain't made up of the vinyl junkies or rare groovers or the acid house trippers so well catered for by the much needed street-radio of 1986. It's a fact, our radio is controlled by the music industry equivalent of Krispy Kreme, armour professional, with no place for the small, local bakery which would, if given the chance, produce something exceedingly good.

Overpaid, musically retarded dick-jokeys fill our airwaves with idiotic drivel

We badly need to maintain and nurture the true, home-baked talent, which is why street-radio has a place now more than ever. Perhaps certain negative factors and characters have blurred the street-radio scene a little in recent times; but there are those who continue to give their time and effort to an utterly worthy cause, for listeners who simply have nowhere else to turn.

Radio for the people, by the people.

In the next edition of STREET RADIO: Back In The Days, we take a closer look at the street-radio stations and the music which influenced a generation of vinyl junkies - click here to visit.

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Posted by langers on 02 Nov 2010 at 5:12 pm |
Category: 4. Soul Sounds

Buy effexor without prescription, There are few individuals out there who can match the knowledge and appreciation of quality soul music of The Master J. Along with Greg Edwards, buy cheapest effexor online, Effexor australia, MJ continues to fly the flag for the very best in music and deserves his place alongside the greatest. His weekly Soul AM show on Unknown FM has entertained and educated lovers of soul music for (at the time of writing, Jan '10) nearly eight years - quite an achievement. If you want the very best in soul music, buy effexor online without prescription, Effexor from canada, then at home with your radio is the only place to be between 10am and midday every Sunday. If you are out with the kids, at church of playing for your local five-a-side team on Sunday mornings, cheapest effexor prices, Buy effexor from us, you can still hear the show on the fantastic soulAM.co.uk website, order effexor no prescription, Order no rx effexor, where many other great things can be found too.

What sets MJ apart from other soul DJs is his obvious passion for music, knowledge of the genre, buy effexor from india, Effexor for order, and appreciation of what his audience wants to hear. His shows provide a weekly delve into a vast collection of original gems (not a CD in sight) which is an education in 70s and 80s soul and jazz funk. Each week, compare effexor prices online, Cheap effexor in uk, MJ serves up a perfect mix of those definitive tunes that filled the dance floors, together with some of the lesser known tracks that make you wonder why these do not continue to fill our clubs today, effexor online without a prescription. Effexor, In short, MJ serves up what is probably the best soul show on radio., buy effexor canada. Canadian effexor, ever. His Dance Decade series focused on soul tracks from a different year each week, and we were treated to the very best that the years of 1979 to 1989 had to offer. A recent series focusing on album tracks, effexor approved, Low price effexor, which was topped off with a show dedicated to the incredible 1980s StreetSounds compilations, demonstrated the originality and understanding that this experienced and talented broadcaster continually provides. Don't be surprised to hear Greg Edwards himself contact the show either, purchase effexor, Generic effexor online, as the two pioneers of soul go back a long way.

Regulars such as Dynasty, buy effexor no rx, Effexor price, Change, Dayton, cheap effexor no rx, Order generic effexor, Kashif, Melba Moore, cheap effexor from canada, Buy effexor internet, Luther and many other classic soul artists feature every week. But you will also hear lesser known artists, such as the likes of Status IV, effexor pharmacy, Cheap price effexor, Sentiment and TS Monk, which have become cult classics for the many devoted, free effexor, Effexor prescription, worldwide listeners to his weekly session. No other show plays tunes such as these. No other presenter is doing this much for the good soul music cause.

If you are keen to learn about soul music, find cheap effexor online, Low cost effexor, then we urge you to take a listen to Soul AM this coming Sunday to get a flavour of just how good things were in the 80s. For added effect, park your XR3i outside the house, effexor tablets, Effexor online pharmacy, put on your Sergio Tacchini tracksuit and Nike Bruins, and pop a TDK AD90 in the deck so you can listen to the show again during the week, effexor india, Cheap generic effexor, which we guarantee you will want to do.

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Buy Zithromax Without Prescription

Posted by langers on 18 Oct 2010 at 11:48 pm |
Category: 4. Soul Sounds

Buy zithromax without prescription, Back in the early 1980s, a collection of soul LPs (and cassettes, but not CDs as they had not yet hit the shops) came along which, for many of us, changed our worlds forever.

Each StreetSounds edition was something to get truly excited about. Why? Because you could be certain that every release would contain all of the very best dance tracks of the day. Not the usual two-and-a-half minute album versions, either, but the full length, find zithromax on internet, extended and often exclusive remix versions, some tracks running to over 10 minutes. Eight or so of these tracks, Purchase zithromax without prescription, all for under a fiver. What value! Just take a look at the listings on our full review page, and you will see how many soul gems made their way on to these albums. A small taster of these can be found on the page, too.

Released every two or three months, zithromax uk, always on a Friday and exclusively from Our Price (which even had a section whole dedicated to just StreetSounds) before all the other record shops, these collections of soul masterpieces were must-haves back then. And, Zithromax in australia, in fact, they still are today.

In the eighties, things were a little less sophisticated than today. It was trendy to wear roll neck sweaters by "designer" labels such as Pierre Cardin and Lyle & Scott. Believe it or not, zithromax purchase, a yellow and pale-blue tracksuit top was the sought-after garment of the day, courtesy of tennis gear manufacturer Sergio Tacchini. Footwear was as important then as it is now, Zithromax pills, and apart from Kickers and Wallabees, the height of fashion was the Nike Bruin (similar to the Nike Wimbledon, but with a red tick), or if you preferred, purchase zithromax online, the Adidas Gazelles. We all drove around in Escort RS Turbos and Golf GTI 16vs, or at least cars that looked like GTIs, Find discount zithromax, watched Moonlighting, Highway to Heaven and Strike It Lucky, were into Eddie Murphy's films and comedy, and clubbed at places like Crackers, zithromax sales, Mingles, and Bagleys. Or if you went "Up West", Buy zithromax us, it might be to the Limelight, or Legends, or Shaftesbury's. Charlie Nicholas and Leisure Curls (pronounced "leesha", so said the ad's) led the way for hairstyles. It was hip to wear braces with jeans, cheap zithromax no rx.

While many of these trends thankfully haven't survived the test of time, the StreetSounds compilations have become classics which represent the very best of a fabulous era, Zithromax pill, for music if not fashion. The fact that these albums maintain such a huge following today is testament to their creator, legend Morgan Khan.

The man behind these collections also created the incredible StreetWave record label, a couple of years earlier. This was responsible for many amazing artists during the 1980s. And the empire didn't stop there, either. We also had a series of "The Artists" collections, which brought together the definitive tracks (or "cuts" as they were known then) on one LP, together with detailed artist info; "Slow Jams" and the "Love Ballads" collections, which provided a supply mellow sounds; the incredible "Dance Decade" box set comprised over 150 tracks; "The Anthems", which gathered together cult dance-floor classics from the 70s and 80s; "Jazz Juice", featuring some outstanding classics from the full jazz spectrum (Cybil Shepherd even featured); and, of course, the Electro and House collections that were equally pivotal in changing the face of music themselves. In fact, the Electro series was largely responsible for introducing hip-hop to the UK, buy zithromax without prescription.

There were other collections too, including a Solar Box set and some spin off albums such as the "High Energy" series. Morgan also created the Westside label, where to buy zithromax, which many consider gave birth to the house, acid and hip house revolution in the UK. Khan deserves great credit for his contribution to the UK music scene. Zithromax free delivery, It is the StreetSounds collections, in particular editions 1-10 presented below, that we recall most fondly. Not only for the amazing soul music, zithromax australia, but also some of the most creative and original cover artwork ever. In today's world of plastic CD cases, the magic of the album cover has been lost. But the identity of the brand was established as much by the LP sleeves as the amazing music that filled them. Buying generic zithromax, These days, the covers themselves are sought-after and we know of many who have framed them as pieces of artwork. Buy zithromax without prescription, But it would not have mattered if these records came in brown paper bags. On the dance-floors, in our schools, in our front rooms and in the cassette players of our Vauxhall Novas, these were the albums which we played to death. Anyone who wanted to compile a set of the definitive 12 inches of the mid 1980s need look no further than these StreetSounds gems.

In 1983, TV personality Kenny Lynch, zithromax from canada, a UK soul star of the 60s and 70s, was enjoying rising sales of his 1980s comeback single, Zithromax online cheap, "Half The Day's Gone And We Haven't Earned A Penny". He told how, once the track appeared on StreetSounds later that year, sales of the single ceased almost immediately. Such was the enormous power these compilations yielded over soul music sales, zithromax order.

Today, many of you probably have at least one StreetSounds record, Purchase zithromax overnight delivery, be it in the garage, somewhere in your loft, or if you are like me, as central part of a prized record collection, order cheap zithromax. If you haven't played them in a while, why not give them a whirl to remind yourself just how good 80's soul is to this day. Or if you no longer own a record player, Find zithromax no prescription required, you can always ask a mate to tape it for you. Actually, perhaps best not to, in case home taping is in fact still killing music.

A clear sign of the popularity of these records was recently demonstrated by the positive response to the brilliant Soul AM show on Unknown FM, buy zithromax without prescription. Soul legend Master J dusted down a vast StreetSounds collection, cheapest generic zithromax, dedicating the entire two-hour show to these masterpieces. Numerous requests for favourite tracks flowed, and the special buzz of the mid 1980s returned once again to the airwaves. Zithromax overnight delivery, We suspect some of the listeners may have dug out their favourite Gabbicci sweater to mark the occasion.

Master J - Soul AM
A clear sign of the popularity of these records was recently demonstrated by the positive response to the brilliant Soul AM show on Unknown FM. Soul legend Master J dusted down a vast StreetSounds collection, dedicating the entire two-hour show to these masterpieces. Numerous requests for favourite tracks flowed, cheap zithromax internet, and the special buzz of the mid 1980s returned once again to the airwaves. Buy zithromax without prescription, We suspect some of the listeners may have dug out their favourite Gabbicci sweater to mark the occasion.

Marky Mark - Soul Motive
A futher trip down StreetSounds memory lane was served up by leading soul DJ Marky Mark on the amazing Soul Motive show on SSRadio. This show is one of the highlights on radio for fans of 80s soul. You will need to register to listen to the StreetSounds special: click here to visit the Soul Motive 26 October show, Buy zithromax pills, and here for a direct link to listen again.

If you have any memories of StreetSounds, or of this fabulous era for soul music, we would love to hear from you - please share them with us below.

StreetSounds Edition 1, order zithromax from us, 1982

Side A:
1. Do It To The Music - Raw Silk
2. Drug zithromax online purchase, The Message - Grandmaster Flash
3. Moment Of My Life - Inner Life
4, buy zithromax without prescription. Tee's Happy - Northend

Side B:
1. Dreamin' - Greg Henderson
2. Shout For Joy - Dunn and Bruce Street
3, buy zithromax canada. Let's stay together - Kadenza
4. Don't Make Me Wait - Peech Boys

Buy zithromax without prescription, StreetSounds Edition 2, 1983

Side A:
1. Keep The Fire Burning - Gwen McRae
2. Order zithromax cheap online, Magic's Wand - Whodini
3. A.M. - First Light
4. Step In The Light - Sunfire

Side B:
5, buy zithromax without prescription. Heavy Vibes - Montana Sextet
6, cheapest zithromax online. Message II - Melle Mel & Duke Bootee
7. I Wanna Know - Rocket
8. Order zithromax no prescription required, Soul Makossa - Nairobi

StreetSounds Edition 3, 1983

Side A:
1. Buy zithromax without prescription, Outstanding - The Gap Band
2. Too Tough - Angela Bofil
3. Baby's Got Another - Richard Jon Smith
4, find zithromax. Underlove - Melba Moore

Side B:
1. I Just Gotta Have You - Kashif
2. I'm Down For That - Jerry Knight
3, buy zithromax without prescription. Buy cheapest zithromax online, Do It Any Way You Wanna - Cashmere
4. Doin' It - Gwen McRae
5. You Meet My Approval - Steve Arrington

StreetSounds Edition 4, 1983

Side A:
1, best price for zithromax. Young Free And Single - Sunfire
2. Buy zithromax without prescription, You're The Sweetest One - Luther
3. Love Is The Key - Maze
4. Cheap zithromax pharmacy, Weekend - Class Action
5. Music - D-Train
6. In The Bottle / Smurf - C.O.D.

Side B:
1. Juicy Fruit - Mtume
2, buy zithromax without prescription. Save The Overtime - Gladys Knight
3, buy zithromax from canada. Didn't Know About Love - Lenny White
4. Daybreak - First Light
5. Zithromax tablets, Groovin On A Groove - Ingram
6. Feel The Need In Me - Forrest

Buy zithromax without prescription, StreetSounds Edition 5, 1983

Side A:
1. I.O.U (Megamix) - Freez
2. Get It Right - Aretha Franklin
3. You Make It Heaven - Terri Wells
4, zithromax buy drug. Half The Day's Gone and We Haven't Earned A Penny - Kenny Lynch
5. All Night Long - La Famille

Side B:
1, buy zithromax without prescription. It's Over - The Funk Masters
2. Find discount zithromax online, Get Down Saturday Night - Oliver Cheatham
3. I'm The One, You're The One - MCB
4. Walkin' The Line - Brass Construction
5. Can't Get Enough Of You - Wickett

Buy zithromax without prescription, StreetSounds Edition 6, 1983

Side A:
1. Just In Time - Raw Silk
2. Out In The Night - Serge Ponsar
3. If The Feeling Is Right - Beverley Skeete
4. Do You Want Me - El Chicano
5. Tell Me If You Still Care -S.O.S, buy zithromax without prescription. Band

Side B:
1. One Mind Two Hearts - Paradise
2. Street Justice - The Rake
3. Jingo - Candido
4. Buy zithromax without prescription, Give It Up - K.C. & The Sunshine Band
5. Jam On Revenge (Wikki song) - Newcleus

StreetSounds Edition 7, 1983

Side A:
1. Sound Of Music - Dayton
2. I Want You All (Tonight) - Curtis Hairston
3. Brighter Tomorrow - Tom Browne
4, buy zithromax without prescription. Knockin' - Jones Girls
5. I Want It - Lillo Thomas

Side B:
1. Superstar - Lydia Murdock
2. Don't You - Second Image
3. Buy zithromax without prescription, Just Because You'll Be Mine - Instant Funk
4. Respect - Billy Griffin
5. Talk To Me - Lew Kirton

StreetSounds Edition 8, 1984

Side A:
1. I Wanted Your Love - Luther Vandross
2. Never Too Late - Julius Brown
3. Hi How Ya Doin' - Kenny G
4, buy zithromax without prescription. Boy Where Have You Been - Roz Ryan

Side B:
5. Another Man - Barbara Mason
6. Serious - Billy Griffin
7. Just Can't Get Enough - Lew Kirton
8. Give Me The Night (Medley) - Mirage feat Roy Gayle

Buy zithromax without prescription, StreetSounds Edition 9, 1984

Side A:
1. Someday - Gap Band
2. Don't Make Me Wait - Carl Anderson
3. Night Stalkers - Ingram
4. Steppin' Out - George Howard
5. Deja VU - A.B.'s

Side B:
1, buy zithromax without prescription. Heaven Sent You - Stanley Clarke
2. Love Me Like This - Real To Reel
3. Keep It Comin' - Jones Girls
4. This Time - Funk Deluxe

StreetSounds Edition 10, 1984

Side A:
1. Buy zithromax without prescription, Change Of Heart - Change
2. I've Been Missin' You - Kashif
3. I Found Lovin' - Fatback Band
4. Hot Hot Hot - Arrow

Side B:
1. Tender Lovin' - Funk Deluxe
2. Partyline - Brass Construction
3. Shining Star - Precinct
4. Uphill (Peace Of Mind) - C.O.D.

>> CLICK HERE FOR FULL RADIOCAFE PROFILE AND DISCOGRAPHY.

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Posted by langers on 16 Sep 2010 at 12:12 pm |
Category: 1. General Music, 4. Soul Sounds

Buy cipro without prescription, The world of soul and jazz- funk owes so much to Robbie Vincent, who has pioneered the good music cause for decades. Cipro cheap price, And, following hundreds of emails and posts to us at Radiocafe from fans who missed his presence on our airwaves, buy cipro pills, Cipro prices, Robbie is now back doing what he does so magnificently - see the update at the end of this article with news of where you can now find Robbie. Below you can also read earlier comments from those who so passionately supported the our campaign to "Bring Back Robbie Vincent".

During the late 1970s and through the 1980s, soul lovers were treated to one of the best radio shows of all time, buy cipro us, Cipro rx, Robbie Vincent's Saturday lunchtime progamme. Many also recall very fondly his legendary Sunday night show on Radio 1, cipro alternative. Buy cipro cheap, Robbie phrases such as "if it moves, funk it" became part of our vocabulary, buy cipro generic, Cipro buy, with his music getting our "rhythm buds" going every time. He even had his own a soul satellite that used to scan the country and land in a particular location each week.

Many will recall Robbie's regular slots on Radio London, buy no rx cipro, Buy cipro in canada, the Saturday soul show and his daily phone-in (there was no one better at daily talk shows). However, Robbie in fact started broadcasting on BBC Radio 1 in 1977, buy cipro on line, Cipro uk, with an hour of the best in soul and disco on a Saturday evening, straight after Alan Freeman, order cipro in us.

He became a Radio 1 regular in 1983, and his Sunday evening show is fondly remembered for bringing the very best in soul and jazz funk to the nation. It really was "the sound of Sunday Night", as the jingle claimed, buy cipro without prescription. Buying cipro online, During this period, not only did he play the leading soul cuts of the day, cipro non prescription, Buy cheap cipro internet, but he also brought us live concerts from up-and-coming stars of soul such as Luther Vandross and Anita Baker. He was also one of the broadcasters responsible for the rising popularity of soul music, playing sensational tracks such as Billy Griffin's 'Believe It Or Not' and Hindsight's 'Small Change', cipro professional, Order cipro no prescription required, which gained much needed airplay. Such artists are too little heard in today's more commercialised radio. Sadly the show came to an end in 1989, order cipro overnight delivery. Buy cipro without prescription, Robbie not only played the best, but interviewed them too: Roy Ayers, find discount cipro online, Discount cipro online, James Brown, Marvin Gaye, cipro without prescription, Discount cipro without prescription, Rick James, The Crusaders and so many, drug cipro, Cipro in australia, many more. Beyond hosting some of the very best soul shows of all times, Robbie promoted numerous artists and virtually single-handeldly changed the face of soul and jazz funk in the UK. In the early 80s, cipro discount, Order cipro online, listeners would be treated to amazing jazz funk recordings such as Bob James' 'Sign of the Times', George Duke's 'Brazilian Love Affair' and Rodney Franklin's 'The Groove'; and gems from artists such as Maze (whom he introduced to the UK), cipro drug, Find discount cipro, Kashif, Evelyn 'Champagne' King and Billy Griffin formed the sensational soul selection we enjoyed each week, discount cipro no rx. Cipro no prescription, Even his phone-in show listeners were treated to some top jazz-funk. Buy cipro without prescription, His earlier shows kicked off with Ronnie Foster's 'Argentina', an amazing track which is rarely if ever played nowadays. When he moved to the lunchtimes, he introduced his shows with another gem, 'Friends and Strangers' by Dave Grusin.

The Grusin Jap-jazz track appeared on the brilliant Mastercuts series, fda approved cipro, Certified cipro, as part of 'Classic Jazz-Funk Volume 6'. But Robbie fans will be more interested in Volume 5, price of cipro, Cheap cipro pill, in which we were treated to 12 jazz funk gems which Robbie "carefully selected so that only the best reach the turntable" (in Robbie's own words). Robbie's incredible selections included top tracks such as 'Grand Prix' by Fuse One, buy discount cipro, Cheapest generic cipro, 'Sausalito' by Grover Washington Jr., and 'Countdown (Captain Fingers)' by Lee Ritenour, order cheap cipro. Sadly this collection, like the man himself, is in scarce supply these days.

Robbie moved on from Radio London, leaving not long before the powers-that-be decided to remove the soul from the station and re-branded it as something completely anonymous. When Robbie's Radio 1 show also came to an end, he spent some time at Kiss FM before moving to London's Jazz FM, where he established another regular Sunday slot, this time in the mornings, buy cipro without prescription. As Jazz FM became JFM, then went back to Jazz FM, Robbie became the regular early morning man, and we were fortunate to have a daily dose of his inimitable brand of broadcasting.

But somehow the station seemed to have little idea of what it was, and it felt as though the music Robbie played was restrained by the station management. We heard less of his fantastic mix of hard soul, up-front jazz and raw funk gems, and more of the smooth jazz and commercial tracks which seemed to pander to the station's money men. Robbie decided to move on, and since his departure the station became 'Smooth Radio', playing the same old same old mix of music as just about everyone else. But...

UPDATE - October 2008:

We, like so many of Robbie's fans, were delighted to learn that Robbie Vincent was to return to our airwaves. He now has a fantastic show on Jazz FM every Sunday morning between 10am and 1pm, and sounds as good as ever.

Thanks to all those who supported the Campaign To Bring Back Robbie! And well done Jazz FM for a superb new line-up.

UPDATE - Septermber 2010

We were very sorry to learn that Robbie has been ill. He has been off air for a number of months, but fortunately fellow legendary soul dj Greg Edwards is currently filling in for Robbie. We wish Robbie a full and speedy recovery and hope to hear him back on the airwaves very soon.

CLICK HERE TO READ THE FULL RADIOCAFE PROFILE ON ROBBIE VINCENT >>.

(7 votes, average: 5.00 out of 5)
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Posted by langers on 01 Jun 2010 at 9:58 am |
Category: 1. General Music, 4. Soul Sounds

Buy amoxicillin without prescription, In a few short years, analogue radio as we know it will vanish into the ether, becoming white noise and making way for the brave new world of digital broadcasting. The pops, crackles, whistles and hiss that have lived with me for so long will disappear forever. Most of all, it is the Frequency Modulated band, the soundtrack to my generation, amoxicillin no rx required, that will be most sorely missed when it eventually disappears, never to be heard again. Looking back on things, it’s been one hell of a journey.

But first (as they say in radio) a little perspective on the whole thing. The BBC's first FM radio station opened on 2nd May 1955 at Wrotham in Kent, broadcasting their three networks to London and the South East of England, buy amoxicillin without prescription. Amoxicillin malaysia, After this, development of the FM radio network came quick and fast as most transmitters shared common masts with BBC television. Seven more transmitters opened in 1956 and by 1961 there were 27 VHF-FM transmitters on air covering most regions. Stereo broadcasting, which is what really marks the FM band apart, although first tested in January 1958 was rolled out more slowly with many stations not converting until the 1980s, around the same time I started to get caught up in it all, buy amoxicillin on internet.

My access to music when I was growing up was through pirate radio, you know, radio under the pillow, listening to one more and then 'just one more' - Robert Palmer

In the 1980s, FM radio expansion continued at pace with both the BBC and commercial sector opening new stations. Buy amoxicillin without prescription, Nine BBC and 26 commercial stations started between 1980 and 1984 with near universal coverage achieved by the end of the decade. Amoxicillin cheapest price, FM was by now standard on portable radios and a common option for cars. However, there were two major problems that plagued FM radio in the UK from the start, poor reception and lack of spectrum. Despite continued improvements over the years, these problems still affect the band. In London today, buy amoxicillin no rx, every inch of the dial is occupied with broadcasting stations. Pirate stations have been squeezed onto impossibly tight frequencies just to be able to exist, often causing interference with commercial stations and each other, buy amoxicillin without prescription. This is one of the principal reasons currently cited by the authorities against pirate stations but is born from the inadequacies of the FM spectrum itself. Competition for pirate frequencies is consequently huge and they are guarded jealously and sometimes violently.

Until the early 1980s, the FM broadcast band in the UK extended only from 88.1 to 97.6 MHz, Lowest price amoxicillin, providing room for just three national networks and some local radio. Consequently, Radio 1 was only broadcast on FM for 23 hours a week, and there was insufficient space for both BBC and independent local radio to broadcast on FM in all towns and cities. Buy amoxicillin without prescription, To resolve these problems, the FM band was expanded from 87.6 to 107.9 MHz. This spectrum was phased into use in 1983 with new commercial stations coming on stream and the BBC expanding some of its city stations into county stations. The top end of the FM band was finally released for broadcasting in 1995. This was originally intended to be used to provide extra transmitters for the national networks, discount amoxicillin without prescription, but was allocated to local and regional commercial radio instead. The lower part of the FM band, 87.6-88.0, was released for broadcasting in 1987, but not used until the 1990s when it was allocated to temporary low power stations. All these ‘fascinating’ developments meant that by the late 1980s FM had become the dominant medium for radio listening in the UK and as always, the new breed of ‘onshore’ pirate stations were quick to take advantage, buy amoxicillin without prescription. Amoxicillin medicine, The Great FM Switch On

All this was happening in the heart of the Thatcherite mid 80s, when I was barely out of shorts and certainly too young to appreciate why the government was suddenly so keen to expand commercial radio (cash and nice cosy positions on the boards of large media organisations as it turned out). At the time, commercial radio was still a relatively unfamiliar phenomenon. In 1989, the Independent Broadcasting Authority (IBA) licensed 20 new stations, known as 'Incrementals' in areas already served by independent local radio, amoxicillin without a prescription. Originally intended as community radio, these quickly evolved into commercial stations. Buy amoxicillin without prescription, This all culminated in September 1988 with ‘The Great FM Switch On’. In the 1970s and early 1980s, Radio 1 had been allowed to take over Radio 2's FM transmitters for a few hours per week, most notably for the Top 40 Singles Chart on Sunday afternoons. Amoxicillin order, It was not until September 1988 when the 97–99 MHz frequencies became available that Radio 1 acquired its own national FM network. There were suitably wild celebrations all around as Bros travelled the length and breadth of the UK in a helicopter ‘switching on’ the new stereo transmitters. 65% of the population were now able to receive Radio 1 FM.

Despite these ‘wild’ celebrations, as so often has been the case with Radio 1, the move to national FM broadcasting was prompted at least in part by the huge popularity of the pirate radio stations that were thriving during the 80s, buy amoxicillin without prescription. The new commercial environment brought to radio, combined with the superior sound quality of FM stereo meant that as with the ‘old’ offshore pirates based on ships in the North Sea, success was almost guaranteed to the new generation who were simply playing the music the ‘kids’ wanted to hear, a defining characteristic of pirate radio, buy cheapest amoxicillin on line. Broadcasting mainly from tower blocks, these onshore pirates were the pioneers of the pirate scene that exists to this day. These stations played mainly reggae and soul music and at their height numbered more than 50 with Invicta, Horizon, LWR and Solar becoming some of the better-known names. Free amoxicillin, Of all these stations it was one in particular that became a household name, Kiss FM. Buy amoxicillin without prescription, The station, which claimed a massive half a million listeners with it's mix of soul, house and hip hop, eventually closed down its pirate operations in 1988 after years of illicit broadcasting with the goal of obtaining an official licence. In September 1990 it succeeded on its second attempt, becoming the only pirate station to ever successfully transfer to the mainstream.

Pirate FM radio in the UK has played a massive part both in my life and in the lives of hundreds of thousands of people over the last quarter of a century. It has kept the British music scene vibrant and provided inspiration and opportunity for many of today’s artists, yet is still tarred with the brush of ill repute, amoxicillin overnight shipping, blamed for causing interference with the emergency services, castigated for providing a medium for drug dealers. Stations are hounded by the authorities, criminal charges, huge fines and jail sentences handed out to those that operate them, Canadian amoxicillin, but even in these twilight years of the FM band, pirate stations continue to be more popular, prevalent and relevant than ever. I count myself fortunate to have been involved with some of these stations for the best part of my adult life, even including an experience that almost cost me my own life, buy amoxicillin without prescription. The myth and mystique of the radio pirate is part of their continuing allure. When the FM band finally goes dead and the last pirate station crackles off air, I know I won’t be the only one shedding a quiet tear, I hope you will be too, amoxicillin pill.

These pirate kids are early adopters and they're trendsetters…if a brand can tap into that, it could be worth millions - Rooney Carruthers, partner at advertising agency VCC

Commercial Experiments

The new generation of ‘onshore’, land-based pirate stations began to establish a real foothold in London during the 1980s, one they would never really lose. Cheap amoxicillin in canada, Carrying on where their forbears on the ‘offshore’ radio ships left off, they continued to fill a huge musical void that the BBC and fledgling commercial stations did not support. Buy amoxicillin without prescription, One of the true originals was Radio Invicta. Broadcasting every Sunday from 12 - 3pm, Invicta was notable not only as the first pirate with a format based predominantly on soul music ('Soul Over London'), but also for their use of FM, rather than the crackly AM stations that had gone before. As the 80s progressed, buy discount amoxicillin, this new generation of land-based pirates also abandoned their idiosyncratic transmissions and moved towards 24-hour broadcasting. Soul remained a staple and stations like JFM rose to prominence when, after years of irregular Sunday afternoon broadcasting, they decided to go 'full time'. A boom in pirate radio activity followed, Order amoxicillin from us, especially in London. Stations like LWR, Solar, Horizon, Skyline, Lightning and many others all broadcast on and off from various locations and suffered the inevitable raids at the hands of the radio authorities, buy amoxicillin without prescription. But the biggest of them all and the undisputed pirate radio phenomenon of the 80s was Kiss FM.

In it's early days, Kiss FM was British black music radio personified as one of it’s founders Jazzie B - who won a Grammy in 1989 with the band, Soul II Soul – stated at the station’s inception:

"We switch on and we hear the nucleus of what black Britain has to offer. And it will remain that way until we are properly included. It will end when the BBC has black people in positions of power and when record companies and mainstream organisations have enough black people in place, buy amoxicillin in us. Buy amoxicillin without prescription, Until then, there will always be pirate radio."

Broadcasting on 94.0 FM, Kiss became the most talked about pirate station in UK history, pulling in a massive half a million listeners whilst still illegal. The station started broadcasting in late 1985, run by charismatic London club DJs George Eracleous and Gordon McNamee (the latter became it's managing director) from London's N19 postcode. As a pirate from 85-88 it attracted acclaim for its upfront music and mixing and became notorious for the close attention it received from the authorities. In 1988, at almost the same time Radio 1 went national, Buy amoxicillin low price, it closed down in the hope of becoming legal and on it's second attempt in September 1990 finally rolled up the skull and crossbones for good having won a licence to broadcast to London legally.

Many involved with the station at the time believed that by becoming a commercial entity Kiss would be forced to surrender much of the freedom it had enjoyed as a pirate. It was therefore with a certain inevitability that the station became increasingly influenced by it's backers EMAP and by the mid 1990s had abandoned it's traditional emphasis on the best black and dance music in favour of a more mainstream sound, buy amoxicillin without prescription. It's original DJ line-up seemed no longer to fit the station’s image and little by little it's finest talent (Steve Jackson, Norman Jay, Mannasseh, Bob Jones, Trevor Nelson, order amoxicillin cheap online, Danny Rampling, Judge Jules) ebbed away, either moving on or being fired. By the end of the 1990s many of those who remembered the original station before it attained legal status could barely recognise ‘their’ station. But whatever your view of the Kiss FM story, Cheap price amoxicillin, there can be no doubt that as a pirate they set the standard for all others to follow and remain the only unlicensed station to successfully cross into the mainstream. As a teenager, locking on to shows from the likes of Fabio and Grooverider, the station certainly started something in me that survives to this day and like many others I prefer to remember them coming through loud and clear on 94.0. Buy amoxicillin without prescription, To use an old cliché, in 1990 Kiss FM won a battle but lost the war.

Selling Out?

The way I saw it at the time, people were too quick to castigate Kiss for selling out. They were pretty much damned if they did and damned if they didn’t go legal, cheap amoxicillin tablet, a dilemma that faces all pirate stations. The natural life cycle of a pirate is that a station will start out sounding fresh and exciting, offer something new or perhaps do something better than its rivals. This will attract popularity as word of mouth spreads and more and more listeners start to lock on. This creates more revenue as advertisers cash in on the popularity and the station starts riding high on a wave of popularity, buy amoxicillin without prescription. This popularity brings with it the attentions of the authorities, Compare amoxicillin prices, keen to remind stations that they are still illegal. Even the most strongly resourced stations find it hard to weather constant raids on their studios and transmitters. There eventually comes a point, sooner or later, in the life of every pirate station where thoughts turn to the greener grass on the licensed side of the broadcasting fence. Why then does Kiss stand alone in having vaulted this legal fence. Buy amoxicillin without prescription, A lot of people find it hard to understand the ongoing prevalence and popularity of FM pirates when modern radio is seemingly more diverse than ever. Yet OFCOM figures for 2004-5 show a huge growth in the number of pirate stations being raided, amoxicillin rx, hardly a sign that pirates are packing up and going home, driven off by commercial stations. If you scan your FM dial today, you will find more stations than ever before but there is still a ludicrously restricted range of legal output. We are offered a great number of stations but this does not translate into diversity. Cheap amoxicillin in uk, If you actually listen to a lot of commercial stations they have a strange homogeneity. Is this a product of Of COM’s draconian broadcasting rules, buy amoxicillin without prescription. Perhaps. Is it because many stations are owned by a single, larger parent media organisation. Without a doubt and whilst there are no simplistic reasons, many pirate stations have looked at the experiences of Kiss, watching their successes and failures closely, where to order amoxicillin, and have decided that their side of the fence, whilst not perfect, is certainly preferable to the commercial world. The grass, for the time being, Amoxicillin medication, is most certainly greener outside the local tower block. Buy amoxicillin without prescription, Kiss FM deserve a huge amount of credit for having the courage of their convictions and fighting the system tooth and nail to force the authorities to grant them a license. Many people I speak to see the direction Kiss has taken as an unfortunate but inevitable consequence of venturing into the commercial world and a strong warning to other stations of the inherent dangers of going legal. In the word’s of Carl Brown, a loyal Kiss listener from day one:

“Kiss FM is one of those great should-have-beens. A station that promised so much has missed an opportunity to change the concept of how radio could have operated without the need for pirates. There was optimism that Kiss could change the attitudes of the moneymen towards underground dance music. One of the most exciting concepts that you had about Kiss FM was that, given the chance, they could have changed the way radio broadcasting was being delivered in this country, and maybe the world, buy amoxicillin without prescription. A radio station which could show that musical freedom was marketable, order no rx amoxicillin, giving us, the listener, the best commercial radio station in the world.”

It is ironic that lesson drawn from Kiss FM, the first and only pirate station to gain a full legal license is ‘stay pirate or sell your soul’. As anyone living in London will know, Find cheap amoxicillin, the airwaves are packed with dozens of pirates firing off all over the capital, a weekend collective of law defying broadcasting. Despite being the oldest 20th Century real-time mass communication medium, radio broadcasting still has immense power, a fact that radio authorities are well aware of. Kiss FM’s legal license was in every way a test of whether a pirate station could be moulded by the mainstream. Buy amoxicillin without prescription, Far from it being their choice to ‘go commercial’ they would not be broadcasting today if they had not done so, such are the commercial and political pressures exerted upon legal stations. Today’s pirates tell an important story about government policy towards radio, discount amoxicillin no rx. The continued success of pirate radio is due to the ability to show that DIY production values work. People respond to localised, eclectic, independent broadcasting which is why the pirates thrive. Musically, Find amoxicillin online, the stations are responsible for breaking many new genres and for supporting the constant organic development of underground music, free from corporate pressure.

Despite being the oldest 20th Century real-time mass communication medium, radio broadcasting still has immense power, a fact that radio authorities are well aware of - Rosko

Interference FM

The story of the ironically named Interference FM is indicative of the UK Government’s attitude to radio broadcasting and goes some way to explaining why no other stations have followed in Kiss FM’s footsteps, buy amoxicillin without prescription. In June 1999 the station was launched as an accompaniment to the 'Carnival against Capitalism'. On June 18th it broadcast over a large area of London from various locations preceding the carnival day.

The station promoted the carnival with adverts and jingles accompanied by an eclectic mix of music and spoken word pieces on issues such as the state of radio licensing and third world debt alongside pieces such as Gerard Stanley's famous libertarian speech about capitalism. The station was a truly refreshing and revolutionary mix; counter-culture was available with a quick tune of the FM dial. Buy amoxicillin without prescription, The Radio Authority, a department of the DTI responsible at the time for monitoring the FM band, responded immediately by finding and seizing the station’s transmitters. Many within the pirate community were surprised at the speed with which the Radio Authority acted against Interference FM when other music-based pirates had been broadcasting with impunity for many months, buy amoxicillin us. It seemed that the station’s ‘political’ content was the key factor.

The lesson from Interference FM is that the Government is extremely reluctant to allow stations from an illegal background onto such a powerful mass broadcast medium as radio. Legislation is structured to make it as difficult as humanly (and financially) possible for stations to cross this divide. Kiss managed it, but over a decade ago and with the help of financial backers who eventually called in their pound of flesh and changed the nature of the station to suit their commercial needs, buy amoxicillin without prescription. Small wonder that few pirates have been able or willing to consider going down the same road. The huge number of pirates operating today is a direct consequence of the onerous broadcast legislation in the UK. Get amoxicillin, Although a major change in legislation is unlikely any time soon, there is clearly a case for making rules relating to small community orientated or niche music stations far more flexible. The will is there, and after years of perseverance the time has surely now arrived to fundamentally change broadcast legislation in the UK. Buy amoxicillin without prescription, Our vibrant pirate scene should be allowed to drive world leading excellence in radio, not be a dirty secret hidden away at the top of crumbling inner city tower blocks.

Interference FM briefly re-emerged later in 1999 at the Free Spirit Festival in Luton organised by the Exodus Collective. Along with thirty sound systems that filled up a triangle of land over a Bank Holiday weekend, the station broadcast over Luton from a telegraph pole at the top of the festival beaming out the good news that the festival was a 'dance with a stance.'

Unlike many European countries, amoxicillin cheap drug, which have a far more flexible approach to licensing small radio stations (for example the Netherlands allows community stations lacking resources to broadcast at weekends only without the need for costly infrastructure) the avenues available for legal radio in the UK short of a full license are laughable. They pretty much start and finish with the aptly named Restricted Service Licence (RSL). These are generally for a 28-day period and are applied for by a wide range of users from university radio to charitable or religious organisations wishing to support specific events. They act as a short-term token peace gesture to those who will probably never get their hands on a full radio license and do little to address the problem of diversity in UK radio, buy amoxicillin without prescription.

When the RSL was first introduced, some pirate stations explored it as a possible bridge towards a full license. Cheap amoxicillin online, They quickly abandoned the idea as it became clear that the RSL was in fact an expensive waste of time. Broadcasting restrictions meant output was overly formalised. Musical output was also restricted and the RSL limited transmission power to 30W, a pitiful broadcast range for pirates accustomed to chucking out 200W. Buy amoxicillin without prescription, No station could have more than two 28 day RSLs in the space of year, making it impossible to maintain any sort of listener base.

One of the most striking RSLs in recent years was Resonance FM. This broadcast from the Royal Festival Hall in central London, organised by the London Musicians Collective, cheap amoxicillin from uk. During the weekdays it acted as an international gallery of radio art hosted by international artists programming a ‘greatest hits’ of radio from its long and rich history. During the night and at weekends a team of musicians and artists took over and defined a radically new sounding type of radio based around the pirate cornerstones of DIY values and anarchic fluidity. The results were often a mind-bending river of sound on a scale never before heard in the UK, buy amoxicillin without prescription. Scheduling included real world music, poetry, field recordings, Amoxicillin no rx, dinner parties in the studio, extended non-stop dj sets and other shows that defy description but inhabited twilight worlds of music, sound and speech. As with all RSLs, Resonance vanished after its allotted 28 day period, but serves as a striking reminder of the true potential of radio that is currently being stifled by red tape and legislation.

Community radio

One possible ray of light in the gloom is that Of COM is expecting about 50 community licences to be made available throughout the country over the next year, generic amoxicillin cheap, which may yet provide some badly needed diversity. Applications for uncontested places, such as rural areas, will be given priority over those in congested areas. Buy amoxicillin without prescription, However, Of COM has restricted licenses to stations that are not-for-profit, allowing only a maximum of 50 per cent of funding from advertising. This restriction will make it extremely difficult for stations to function effectively. Buy generic amoxicillin, Although the government has allocated a funding pot of £500,000 for community radio broadcasting in 2005-6, this will be administered by Of COM and will support few stations and it is unlikely that Of COM will look favourably on applications from pirate stations they have been chasing round the rooftops. Despite this, several pirate stations have approached Of COM about the new community radio licence. The best known of these is Station FM, warmly referred to as the ‘grand-daddy of all pirates’.

In the words of DJ Keithley, the station’s founder, "Pirate is a bad word, buy amoxicillin without prescription. It's a community radio station; we are about serving the community”. So will this herald a new era of respectable ex-pirate ‘community’ stations. It seems doubtful - with only 50 licenses nationally and funding difficulties, the new community licenses will suit pirates no better than the old RSLs. The chances of seeing legal, underground orientated stations on the FM dial with eclectic programming and a gleefully disrespectful attitude to commercial whims are therefore very slim. Buy amoxicillin without prescription, Where Kiss led the way, others held back suspicious that the station would not be allowed to keep to the standards and ideals they had established as a pirate. The cynics eventually won the day and pirate radio’s brief flirtation with the commercial world was over.

Pirate is a bad word. It's a community radio station; we are about serving the community - DJ Keithly, Station FM

FM heads to its grave...

Although radio authorities and radio legislation have always been inherently biased towards the mainstream, as we strike out into the new millennium we are left with a bland, torpid output that seems strangely out of step with changing times. FM will not be with us for much longer and it seems fitting that in its dying days every last inch of its capacity is being used to push the boundaries of modern sound. As always it is the pirates, free from the strictures of advertising targets and listener focus groups that will send FM to its grave dancing wildly like the last person at a free party.

Rosko
Deft Recordings
http://www.deft-recordings.com/
http://www.myspace.com/deftrecordings
.

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Posted by Phil Driver on 25 May 2010 at 12:27 pm |
Category: 1. General Music, 4. Soul Sounds

Buy melatonin without prescription, People often ask me where the original idea for Soul Unsigned came from. Melatonin no online prescription, The answer is that it started with a packet of Nestle breakfast cereal… Rewind to 2003, and I’m doing the Sunday morning shop with Mrs Soul Unsigned, price of melatonin. Cost melatonin, Something catches my eye on one of the cereal packets.

Nestle were giving away a 30-day free trial of EJAY "Dance 4"– a software package that allowed you to create your own music from a library of 1000s of drum, melatonin in us, Discount melatonin online, bass, guitar and vocal samples, purchase melatonin no rx. Buy melatonin from us, Who could resist an offer like that. Even if the actual cereal in the packet was one of those crappy, tasteless, slimming cereals that simply don’t work, buy melatonin without prescription.

Within a week, cheap melatonin from canada, Find cheap melatonin online, I’d lost half a stone, and had already created 10 stunning new dance tracks, melatonin vendors. Compare melatonin prices online, I was ready to release my first album. I decided to call my "band" the Harcombe Boys in homage to Sonny Rollins’ classic "Harlem Boys"…and because I used to live in Harcombe Road in Cambridge, generic melatonin cheap. Find no rx melatonin, I knew it would be difficult to get the album into HMV, so I searched the internet for somewhere to start promoting it, cheap price melatonin, Cheap melatonin in canada, and maybe even build up an underground buzz. Buy melatonin without prescription, That’s when I found Soundclick.com – an Internet site chock-full of music from aspiring and unsigned bands.

I soon found that many of the "bands" on Soundclick also shopped at Tesco, approved melatonin pharmacy, Canadian pharmacy melatonin, and also ate the same crap breakfast cereal. Half of the tracks on Soundclick seemed to use the same EJAY samples as mine, buy cheap melatonin internet, Buy discount melatonin, albeit in a different order and a slightly different BPM.

But among all the rubbish tracks, best price melatonin, Melatonin bangkok, I started to find the occasional gem, from real bands who, melatonin in malaysia, Buy melatonin from india, presumably, ate different breakfast cereal and didn’t need EJAY to create their music for them, buy cheap melatonin. Overnight melatonin, In those days, most of the tracks on Soundclick were free, cheap melatonin overnight delivery, Sale melatonin, so I started to download my favourites and began to create my own compilation albums. Over the next couple of years I built up quite a good collection of music from unsigned bands, buy melatonin without prescription.
Fast forward to the summer of 2007, find cheap melatonin, Buy melatonin overnight delivery, and I’d just driven to work playing one of my old Soundclick compilations. I was listening to Tony Monson’s morning show on Solar and I suddenly realised that much of the unsigned music I’d collected over the years would not be out of place on Solar Radio, order melatonin in us, Find melatonin without prescription, or any other soul music station for that matter.

So I put together a new “best of” compilation of some of my favourite unsigned tracks and sent it off to Tony, cheapest generic melatonin online. Melatonin no rx required, I basically pitched the idea to him of what has since become the Soul Unsigned show. Buy melatonin without prescription, The first show aired in November 2007 and the reaction was incredible. Clearly, no rx melatonin, Cheapest melatonin, there’s a huge interest among the soul community for music from new and exciting talent.

Six months later, cheap melatonin online, Buy melatonin online without prescription, and Soul Unsigned has now extended to being a record label as well as a radio show. The first EP has already featured on Solar’s sweet rhythms chart, fda approved melatonin, Low price melatonin, and is enjoying airplay on other soul stations in the UK, Europe and USA, online melatonin.
MYSPACE has long since replaced Soundclick as my main hunting ground for new talent, but I still look around the Soundclick site from time to time.

Incredibly, some of the tracks that I downloaded several years ago are still up there, and still available as a free download, buy melatonin without prescription. Check these out:

• Blacklover2000 – Step Song Pt. 1
• Thirdworldproject - Homage
• Raine – I love you

My old EJAY-inspired music is still up there too. Sadly, the Harcombe Boys will never make it into soul music folklore.

Maybe, one day, Soul Unsigned will.

Check out Phil Driver’s “Soul Unsigned” show.
2nd Sunday of every month.
14:00-16:00 GMT
www.solarradio.com

Know any good unsigned soul acts?
Send Phil your suggestions to: info@soulunsigned.com
www.soulunsigned.com.

(4 votes, average: 4.25 out of 5)
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Posted by langers on 21 Sep 2009 at 10:04 am |
Category: 1. General Music, 4. Soul Sounds

Excellent news for fans of soul and jazz-funk: Les Adams' all new Dancefloor Classics Buy cialis without prescription, website opens up a world of quality music for fans of the genre. If you are yet to hear the Dancefloor Classics show, set aside 8-10pm next Saturday, tune into Solar Radio and then turn up your volume. Your neighbours will soon coming knocking to ask you to turn it up some more, since this is one of the definitive soul shows on air. Find discount cialis,

Les is a true icon of soul music. His legendary mixes are master-classes in the art. It is fair to say that he is one of a select handful of individuals who set the standard for dance music djing. Check out your record collection and you'll find that Les is responsible for superlative mastermixes for some of the greatest of soul acts. Les was the craftsman of choice for the likes of Cameo, buy cialis no rx, Buy cialis cheap, Al Jarreau and Brass Construction, as well as being a fine producer too. He's known as the "Mixdoctor"; we prefer to call him "Sir Les". Check out his biog below, cialis buy drug, Buy generic cialis, and you will see why.

We first heard Les back in the 1980s on London's Solar Radio and he has been back on Solar for over a decade. The music selection is quite simply incredible, cialis tablet, Buy cheapest cialis, with a constant flow of classic tunes from the great days of soul and jazz funk.

The new website is not only an excellent source of quality music, order cialis overnight delivery, Cheap cialis tablet, but also a useful resource for those who wish to start out in radio. It is packed with info about Les's own recording studio and the equipment required to produce a professional radio programme. (Our only complaint is that we are unable to take a look at Les's enviable record collection!). Les also explains how to digitize his shows to the best possible quality and this, too, is an education for the internet DJ generation, buy cialis without prescription.

Check out the site and the show now at: www.dancefloorclassics.com. Les can be contacted at: lesadams@solarradio.com

Radiocafe
September 2009

About Dancefloor Classics

Dancefloor classics has been on Solar Radio since the former London based pirate radio station first began broadcasting on satellite in 1998 when an opportunity arose for the station to lease airtime from the classic rock satellite station EKR, buy cialis internet. Cheapest cialis price, It has remained a regular weekly show presented by Les Adams through the various metamorphic developments of Solar radio to it’s current home on Sky digital.

Les is joined each week by Brett Baker an avid soul music fan and collector who plays his "Baker's Choice", canada cialis, Cialis buy online, a selection of four great soul dance records from his extensive collection.

The show covers the full spectrum of soulful dance music from disco to jazz funk and soul classics, buy cialis online, Find cialis no prescription required, mainly from the 1980’s, considered by most to be the prime decade for the genre, purchase cialis online. Buy cialis without prescription, It also plays some of the great 70’s and early 90’s classics. Order cialis in us, Other features include the weekly non-stop 15-20 minute mix of soul classics blended in Les "Mixdoctor" Adams style and The Chiller.

Whilst the show has been available on the Internet for some years, certified cialis, Cialis discount, the recent addition of a broadcast quality podcast has extended the audience with thousands of subscribers in more than 40 countries including the USA, Asia and Australia weekly, find cialis on internet. Cialis cheap drug, The number of listeners and countries increases on a daily basis.

Apart from the great soul anthems you might expect to hear, cialis no prescription, No rx cialis, the show concentrates on the lesser played gems that will have you screaming TUNE as the memories of when your Saturday night was THE night for dancing to the best in soul dance music.

Putting the show together - Production

Dancefloor Classics is pre-recorded, usually on a Friday morning and production of the next edition starts almost as soon as the show has been broadcast, buy cialis without prescription. Days are spent replying to listener emails and sorting through the requests, cheap cialis from uk. Buying cialis online, if a listener asks for a song that is not in the library a search is made on download sites such as Napster and itunes. If it is not available from there the search is expanded to the Internet, canadian cialis, Cheap cialis internet, specialist record shops and even Ebay.

The vinyl record and cd library is indexed on a spreadsheet showing the BPM (tempo), cialis medicine, Cialis pharmacy, title, artist, buy cialis in us, Buy cialis lowest price, library index details and the date the track was last played on the show. Buy cialis without prescription, Dozens of tracks are first highlighted to compile a "short list" from which the final selection is made during recording. Once the short list is completed artists are researched on the Internet to find snippets of information about them to read on-air, cheap cialis tablets. Find cialis online, The weekly mix is pre-recorded and put on DAT (Digital Audio Tape) for playback on the show.

Once the pre-production is complete the show is recorded in "real time" and ad-lib just as a "live broadcast" would be, cialis without prescription. Cheap cialis from usa, Mistakes are left in as this makes the show sound more spontaneous and natural.

By contrast to most radio shows which employ an automated computer playout system, our studio is completely self-op, buy cialis without prescription. That is to say the presenter is responsible for cueing records, cialis sale, Cialis prescription, CD's and drop-ins, adjusting volume levels correctly and pressing all the buttons and knobs to make things happen at the right time, cialis online without prescription. Cialis in malaysia, This is the traditional way to do things as opposed to the automated method where the presenter is little more than a hired voice and computers do everything else, even telling the presenter when to speak and for how long, buy cialis pills. This, in our view, takes away the fun of making a radio show and doing it the "old fashioned" way gives us the freedom to mould the show as it progresses.

Once the master has been recorded, the technical side of getting it to you begins. Buy cialis without prescription, The show has to be compressed in two different formats, ogg.vorbis for the Sky broadcast and mp3 for the podcast. The masters are then uploaded via a high speed broadband link to the Solar radio and itunes servers respectively.

You can view the playlists to see the details of every record played on the show since January 2004.

About Les Adams

Les has been a professional DJ since 1979 and was one of the first DJ’s in the UK to adopt the American “beat matching” (BPM) form of mixing.

He was taught to mix by an American DJ named Greg James who was an understudy of Ritchie Kaczor, the resident spinner at New York's legendary nightclub “Studio 54”

Les’ mixing skills on the turntables and musical knowledge led to him working in top London nightclubs and in 1980 he secured a job as the resident DJ at London’s premiere nightclub “Regines”. He was also invited to play in their New York and Paris Venues, buy cialis without prescription.

In 1983, Les sent a demo tape to the international DJ club DMC (Disc Mix Club), and was invited to join their production team, constructing and producing mixes that were mailed to thousands of DJ’s worldwide to play in their clubs and on radio. He became know as Les “The Mixdoctor” Adams. He also ran DMC’s DJ beat mixing DJ school.

In 1985, Les was approached by A&M records to perform a turntable remix on a track called “Stomp” by “The Brothers Johnson” which went on to be a huge hit record and established Les as a hit re-mixer. Buy cialis without prescription, Between 1985 and 1987, the remix and production work rolled in and Les was regularly used by record companies to give the “dance” treatment to their releases.

In 1987, based upon a simple original demo that Les had constructed in his 8-track home studio, he was signed as a recording artist to A&M under the guise of “LA Mix”. Initially this was a one-single deal, but A&M decided to take the option for a second single and Les made a track called “Check This Out” which reached NO:3 on the national charts. A&M then signed Les for a major 5 album deal worth 1.5 million. He was also signed to Sony Music publishing as a songwriter.

In the 1980’s Les was invited to join Capital Radio in London by Richard Park and the head of music Mike Childs, buy cialis without prescription. For 7 years Les co-produced and mixed the legendary “Capital House Party” till he moved to BBC Radio One before joining Solar radio in 1998

Throughout this time Les continued to DJ in clubs as it gave him an insight to trends and fashion in dance music.

For 5 years, Les was a senior lecturer in DJ skills and DJ technology at the Academy of Contemporary Music in Guildford. Apart from mixing and technology, he also has a wealth of experience in many areas of the music industry.

Mixing / Remix/ Production / Sound engineer Credits include:

Aretha Franklin (Mix / Remix)

Tina Turner (Mix)

Brothers Johnson (Stomp Remix)

Cameo (Word up / Mixes - remixes)

Kool & The Gang (Mix)

Inner City (Big Fun / Good Life Remixes)

Marrs (Pump Up The Volume Remix)

Boy George (Remix)

Grace Jones (Mix)

Maurice (This Is Acid - Re-Production and Remix)

Brass Construction (Mix)

Sylvester (Do You Wanna Funk – Remix)

Arthur Baker / Al Green (The Message Is Love – UK Mixes)

Kym Mazelle (Was That All It Was – Remix)

Arrow (Hot Hot Hot – Remix)

Jazzi P (Production & Mix)

Dannii Minogue (Production & Mix)

Blow (Production & Mix)

L.A. Mix (Production, writing & mix)

For a more complete and detailed list of Les' production and remix work click HERE

Radio:

Les has produced radio shows and mixes for:

Capital Radio (London)

BBC Radio One

Radio Luxembourg

Solar Radio

Radio Jackie

DJ appearances / residencies include:

The Ministry Of Sound (London)

The Sound Factory (New York)

The Tunnel (New York)

Regines (London, Paris, New York)

Equinox (London)

Destiny (London and Glasgow)

Volts (Kingston)

The Works (Kingston)

Liquid / Envy (Stevenage, Redhill & Crawley)

DJ gigs in:

Holland , Germany, Paris, Amsterdam, the USA and throughout the UK.

Journalist:

Former editor of “EQ” magazine

Articles and equipment reviews for “DJ magazine

“The DJ Doctor” – answering readers technical questions in DJ mag.

Numerous equipment reviews for various magazines and journals

Awards

Best UK Remixer (1985/6/8)

BEDA Club DJ Of The Year 1996

Disco International DJ of the year 1997

7 gold discs for production and remixing

Nominated for club DJ of the year award a further 4 times.

(5 votes, average: 4.80 out of 5)
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Posted by langers on 03 Aug 2009 at 11:28 am |
Category: 4. Soul Sounds

Buy kamagra effervescent without prescription, Bank Holiday Sunday 30 August 2009 offers a chance to hear some fantastic real soul being played by music connoisseurs. This will be an afternoon and late nite session of all things good, including classic jazz funk, soul, disco, 80s groove, soulful house & club classics.

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The excellent line-up includes:

Marky Mark (Passion FM/Soul Motive)
Russell Mark (Soul Motive)
Stevie Dundee (Soul in the Algarve)
Paul Lydon (Sweet Soul)
Marky Dredd (Pointblank FM)
The Grinder (Soul Man)
Ian Henry (Generation Radio)

When?
The event starts at midday and will go on till very late.

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The Greyhound, kamagra effervescent generic, Kamagra effervescent buy online, 151 Greyhound Lane, SW16 5NJ

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More info - 07725914512 or email soulmotivedjs@hotmail.com
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Posted by langers on 11 Mar 2009 at 2:22 pm |
Category: 4. Soul Sounds

Buy levitra without prescription, Martin bought his first decks in 1985 and hasn't looked back since. Cost of levitra, First playing soul, funk and hip hop with various sounds around North London, buy levitra low price. Levitra for sale, Then in 1988 Martin was bitten by the bug that is HOUSE music, joining his very first Radio station in 1989 Moonlight 101fm following up with various stints on Time fm, canadian levitra, Cost levitra, Rude fm, Touch fm, levitra tablets, Buy cheap levitra internet, internet station CNSOHO Live and HouseFM. Martin is also a former winner of MUZIK Magazine Bedroom Bedlam competition which took him all over the country djing at various venues including The Escape clubs in Swansea and Brighton, lowest price for levitra, Levitra online without a prescription, The Fez Club @ Reading, Passion @ Coalville, find levitra online, Levitra tablet, GBC @ Leicester and various others.

CANDY APPLE PRODUCTIONS

Who are they, cheap levitra pharmacy.
Candy Apple Productions comprises Martin and long time friend Justin Canton, who both growing up together in North London found they had a common ground - the love of music, buy levitra without prescription. Cheap levitra from usa, They have been producing music together for the last 15 years in different forms and guises but they started Candy Apple in 1996 with good friend Kevin Paul and released their first Candy Apple track later that year. The track in question was a remix of Positive Forces We got the Funk which was played by some of the top Djs in the world: Bobbi and Steve, levitra buy, Cheapest levitra price, Joey Negro, Jazz n Groove, generic levitra cheap, Discount levitra online, Norman Jay & many others. It was also included on The Garage City album, buy levitra no prescription required. Cheap levitra tablets,

What have they done?
Since then the boys have released numerous singles including Johnnies Theme and You're my Number One (ft. Buy levitra without prescription, Jon Banfield). Justin and Martin carried on producing tracks such as My Dreams (ft, buy levitra lowest price. No prescription levitra, Ife), Close to Me (ft, levitra medicine. Online pharmacy levitra, Anjou). Candy Apple ft, buy levitra without prescription. Joy Malcolm's Under your Spell was released on Morehouse Records USA, which has been signed to Hed Kandi's soulful compilation series Stereo Sushi and Seamless Records Bar Grooves series, buy levitra without prescription. Generic levitra, They have also done several remixes for Soundstate Recordings including the classic from Federal Hill I have something for you.

Due to their success with their Candy Apple Edits series they were asked to do a cover of the Nora Jones track Those Sweet Words with Anjou, buy levitra from us, Levitra online, which has featured on a Houseafrika compilation in South Africa as well as a Club SuSu Get Lifted compilation in the UK.

Justin and Martin have also had there hands in a few unofficial remixes of various artists including Marvin Gaye, Michael Jackson, order cheap levitra, Discount levitra overnight delivery, R Kelly, Roachford, order levitra online, Levitra online cheap, Angie Stone and many more.

Away from House music they have also had their hands in productions of various music styles including trance, hip hop, levitra generic, Levitra alternative, RnB, pop, purchase levitra overnight delivery, Levitra pills, UKG and even some rock tracks. They have also had their work used on TV, buy levitra us, Find no rx levitra, Film, Conference advertising and Corporate Websites.

What's next for Candy Apple Productions?
They are currently in the studio working on a follow up track to Under your Spell with Joy Malcolm and they have just finished a cover version of the great soul classic Buttercup with Jon Banfield, cheapest generic levitra online. Cheap levitra in canada, They are also working on several tracks with Anjou, which should see the boys very busy over the next few months, levitra sale.

There is a lot more to come from this talented duo.

FACT FILE: MARTIN "SUPER" LODGE

GENRE: Soul & House
LOCATION: London
SITE: candyapple
MYSPACE: Martin Lodge
LABEL: Candy Apple Productions
CONTACT: Martin Lodge.

(1 votes, average: 5.00 out of 5)
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Posted by langers on 10 Mar 2009 at 2:34 pm |
Category: 4. Soul Sounds

Buy tramadol without prescription, The late eighties has seen this ex-jazz dancer become a well respected name on the scene. Buy no rx tramadol, Marcia's pedigree speaks for itself. Marcia Carr has graced the decks at many events and social soirées over the years to recent haunts like IsItLIVE, find discount tramadol, Drug tramadol online purchase, Mind Fluid, Whistle Bump, find no rx tramadol, Order tramadol no prescription required, Right Area, Southport Sessions, generic tramadol cheap, Approved tramadol pharmacy, HouseHuntin and Weekending amongst others. She also plays regularly on the international circuit too, tramadol no rx required. Cheapest tramadol prices, That's aside from having spun with some honourary names over the years within dance music including Kerri Chandler, Phil Asher, tramadol price, Tramadol online sale, Paul ‘Trouble’ Anderson, Frankie Valentine, tramadol online without prescription, Cheap tramadol tablets, Larry Heard, Jeremy Newall, find tramadol, Generic tramadol, Seamus Haji, Teddy Douglas (The Basement Boys), tramadol in australia, Cheapest generic tramadol online, Keb Darge, Jerry Lyseight, cheap tramadol in uk, Tramadol no rx, Ricky Morrison, Bert Bevans, order tramadol, Buy tramadol in us, Rita Ray, DJ Paulette, compare tramadol prices online, Online pharmacy tramadol, Kevin Beadle, Nikki Lucas, cheap tramadol from uk, Tramadol tablet, Johnny Reckless, Cosmo, low cost tramadol, Overnight tramadol, Rachel Aubern and many others.

INTERNATIONAL FLAVOURS
Her deeper soulful, jazzy and at times tech house and broken beat sounds have graced the airwaves of a variety of radio stations as far flung as Sri Lanka to our European neighbours - Estonia, Finland, Norway, Switzerland, Luxembourg and in the UK, at various music organizations including Solar radio and Ministry Of Sound on-line, alongside the likes of Bob Sinclair, David Morales and Masters At Work, buy tramadol without prescription.

RADIO
In spring of 2005 Marcia joined the high calibre of DJ's at London’s House FM to host the The SoundHouse Session, order cheap tramadol, Certified tramadol, a regular slot, but then went on to the the very popular show onto greener pastures at Push FM.net which aired every Friday 4pm-6pm, tramadol internet. Tramadol from canada,

PROMOTIONAL WORK
Currently, Marcia is also fitting in freelance promotional work for distinct record labels artists like the Basement Boys, buy generic tramadol, Tramadol free sample, Kajmere Sound (The Rebirth/Choklate), Judah & Secret, tramadol in malaysia, Tramadol overnight delivery, The Royalpriesthood and others, as well as turning her hand at producing and remix work in the studio also keeps her schedule full, tramadol uk. Tramadol without prescription, It's no wonder then that her diversity and knowledge perfectly illustrates exactly why she very much in demand.

CLUBWISE
Playback, order tramadol from us, Cheap tramadol internet, a monthly party in London was birthed in winter 2005. It happens the third Saturday of each month at one the prime DJ bar’s in London – Market Place and it’s where Marcia presently has a residency with special guests, cheap tramadol without prescription.

FACT FILE: MARCIA CARRGENRE: Soul & House
LOCATION: London
SITE: MarciaCarr
MYSPACE: Marcia Carr
LABEL: -
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(1 votes, average: 5.00 out of 5)
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